Austin
Organ Company
- Opus 271 -


Greetings OHS and AGO Visitors:

The specifications of Austin Opus 271 are accurately called out in the current OHS bulletin #78 and previously in the Autumn, 2001 issue of Stopt Diapason #73. What is not commonly known is what it has taken to make the organ playable to the extent we hear today.

In early August, 2000 I was asked by real estate agent Arnie Blitenthal if I would visit the church with him to advise the new owners, Fraternite Notre Dame, what if anything could be done to restore the organ to playability.
Arnie was involved in the sale of the property to Fraternite and knew I had a lifelong involvement with pipe and electronic organs.

He explained on our trip that day how the building had gone at least one Chicago Winter without heat and had serious infrastructure problems to deal with. Flooded basement, broken pipes, leaking roof, falling plaster, antiquated electric system, resident Pigeon colony and the list did not end there.

I expected the worse for the organ before arriving. I wasn't disappointed, the console was covered in crumbled plaster ceiling, Pigeon excrement and most of the stop tabs were missing.

When started it sounded a great chorus of ciphers but I noted they were largely due to the keys being held on by crumbled plaster and stop key debris. After an hour of cleaning enough to get the keys to an off condition it was apparent the old Austin still held some promise.

Subsequent visits to completely open, vacuum the console and examine the key action resulted in being able to play it for the first time in years and appreciate just what a treasure it is tonally. Top

A major fault to deal with immediately was the Korean war plastic used in the stop tabs and piston buttons. They had deteriorated such that just touching the tabs caused them to crumble not unlike broken glass. Every pigmented plastic part had to be replaced, the Black non-speaking coupler tabs survived quite well.

This where my involvement started to get serious, the 27 stop tabs had to be obtained from Austin because of the proprietary combination system link configuration. They cost $15 ea. Fortunately I located adequate substitutes for the 40 missing piston buttons from an early "Chord Organ" donor. They would have cost another $400.
The new tabs were installed Nov 15, 2000. For the first time we could select voices and play the organ again.

The lack of a heating system at this time was causing severe tuning problems but a donor provided boiler repairs by December and after 2 weeks to stabilize the organ it was tuned for Christmas use.

On the initial tuning job it discovered broken cording had allowed 8 or 9 Chimes to fall into the Choir division pipe work, several dozen pipes were destroyed by direct hits.

Priorities continue to change; the Chimes and broken pipes shrank in significance when the blower motor seized a bearing at Easter 2001. The Brothers and I disassembled it (It weighs A LOT!) into small enough pieces to load into my van to take home for repair. A week later I had it running in my garage again.

Getting it back into the basement was a sight with 2 Nuns holding ropes, 2 Brothers and myself sliding it down the stairs.

It has many faults of advanced age and I posted pleas for help on "Organ Trader.COM". I received overwhelming response with offers from many helpful enthusiasts and we were blessed with the donation of a Spencer with "Modern 1954" motor from SS Peter & Paul Church in Naperville, IL.

Again Brother Maurice, Fr Benedict & myself spent a few very warm days in August tearing it down to move. With directions in French from "Mapquest.COM" Sister Isabelle drove the truck to pick it up and bring it "Home".
It is all reassembled downstairs, awaiting completion of a single to 3-phase converter and starter relay system. Our long-term wind supply is insured.

A number of friendships evolved from this effort and one of the most significant is Mary Gifford, she kindly accepted the request to play the organ for ABC-TV when reporter Harry Porterfield did a "Someone You Should Know" feature about restoring the organ that was broadcast April 3, 2001. Top

 

Mary did a remarkable job of making it sound flawless with only about 15 minutes to get acquainted with it because when we arrived to prepare her performance the power was cut off to the entire building by electricians.
We scrambled and attached temporary connections to get it playing just as the TV video crew arrived to film.

Last I have to remark on the experience of working among the devoted members of Fraternite Notre Dame who truly labor tirelessly to minister to the needs of the most unfortunate every day and night. I witness them loading warm food onto vans to carry it to the homeless on the streets, they made costumes and choreographed a Christmas pageant for local kids, they work the front lines of poverty day in and day out.

John Shanahan






Mr. John Shanahan,
giving a Presentation
of the Organ at the Church of
Our Lady of Frechou,
Mother of Mercy
and Mother of the Church,
502 N. Central Avenue
Chicago, IL 60644